The premise of this post-apocalyptic novel is rather ridiculous at best -- it will certainly not appeal to anybody with the least knowledge of science -- The earth tilts, or the sun comes too near, we know not how, and the world lies in waste, crops burned, the oceans sucked dry, people turned into liquid filled zombies searching for any moisture, militia groups wander the countryside searching for food, weapons, and any available young girl, a class of cannibals arises as the food supplies dwindle. Amongst the survivors is Evangeline, by day, before the Flash, a high school glamour queen trying to please everyone to the highest level, angsting over holding on to her boyfriend by giving up her" V card" to him , and by night a crazy, hallucinating Cassandra, envisioning the apocalypse. Into her life cycles the delicious Cajun bad boy Jackson ( Jack to his friends) Deveaux. He is by far the most appealing and best written character because he is real and tangible and lets his feelings all hang out .He is a survivor of brutal poverty, child abuse, prison, physical and emotional starvation and disillusion
of the powerful members of the arcana ( hence Arcana Chronicles) in Tarot -- the powerful mother goddess who can command plants to grow, flourish and kill, whose claws are tipped with deadly poison. To me this tarot conceit is rather far fetched and strange -- in their odyssey ( how I love the symbolic and real journeys of characters ) Jackson and Evangeline meet other teens in varying states of transition and learn about the immense battles to come amongst the Arcana. What is most wonderful to me, is that all this forced arcana nonsense can be read on different levels which, I , as a old person, find myself wanting to
do since people with super powers hold absolutely no appeal for me whatsoever. We see Eva and the other arcana members hiding behind their powers,fearing their destinies, wearing masks -- much as teens may do themselves because the whole idea of self-actualization, of becoming a whole person is so difficult in those years when you are overwhelmed by sensation and expectation. We see them act in remarkably immature and selfish ways-
-Eva gains her power (very much against her will) but in doing so loses the trust of Jackson her passionate protector who only wants to take her back south where they can live a real life, where she can be his. The thought of a man loving and possessing a woman both literally and figuratively is evidently as frightening today as it was appealing 50 years ago. Perhaps this is because of the plethora of choices young people have today. What was once considered normal human behaviour pales before the glittering possibilities. But sometimes the glittering lures deceive. So Jackson loses his ability to protect Eva because she no longer needs his skills. He needs to accept, change, develop in order to pursue her. And so the book ends - it is hoped, however, that, like the Hunger Games trilogy developed, that this one will succeed in teaching the characters that masks and superpowers and violent , endless conflict, adventure and death, are no competition for simply being human, knowing your own limitations, acquiring useful skills and loving relationships and gratitude for those who deeply love you and sacrifice themselves for you -- in short, it is Jackson, and not the phony masks and powers of the Arcana, who triumphs.
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